BackgroundEverybody has the right to decide whether to receive specific medical treatment or not and to provide their free, prior and informed consent to do so. As dementia progresses, people with Alzheimer’s dementia (PwAD) can lose their capacity to provide informed consent to complex medical treatment. When the capacity to consent is lost, the autonomy of the affected person can only be guaranteed when an interpretable and valid advance directive exists. Advance directives are not yet common in Germany, and their (...) validity is often questionable. Once the dementia diagnosis has been made, it is assumed to be too late to write an advance directive. One approach used to support the completion of advance directives is ‘Respecting Choices’®—an internationally recognised, evidence-based model of Advance Care Planning (ACP), which, until now, has not been evaluated for the target group of PwAD. This study’s aims include (a) to investigate the proportion of valid advance directives in a memory clinic population of persons with suspected AD, (b) to determine the predictors of valid advance directives, and (c) to examine whether the offer of ACP can increase the proportion of valid advance directives in PwAD.MethodWe intend to recruit at leastN = 250 participants from two memory clinics in 50 consecutive weeks. Of these, the first 25 weeks constitute the baseline phase (no offer of ACP), the following 25 weeks constitute the intervention phase (offer of ACP). The existence and validity of an advance directive will be assessed twice (before and after the memory clinic appointment). Moreover, potential predictors of valid advance directives are assessed.DiscussionThe results of this study will enhance the development of consent procedures for advance directives of PwAD based on the ACP/Respecting Choices (R) approach. Therefore, this project contributes towards increasing the autonomy and inclusion of PwAD and the widespread acceptance of valid advance directives in PwAD.Trial RegistrationDRKS, DRKS00026691, registered 15th of October 2021,https://www.drks.de/drks_web/navigate.do?navigationId=trial.HTML&TRIAL_ID=DRKS00026691. (shrink)

Der Band verzeichnet erstmals sämtliche Werke und Noten aus Nietzsches persönlicher Bibliothek (BN) bis Anfang Januar 1889. Er listet sowohl die Bestände der Herzogin Anna Amalia Bibliothek als auch die des Goethe- und Schiller-Archivs in Weimar auf. Die kritische Analyse anderer Bestandslisten ermittelte zudem zahlreiche heute nicht mehr vorhandene Titel. Ferner wurden sämtliche Bücherrechnungen und -quittungen von Buchhändlern und Buchbindern ausgewertet, die im Goethe- und Schiller-Archiv aufbewahrt werden. Neben den ca. 2.200 Titeln aus Nietzsches rekonstruierter Bibliothek enthält der Band (...) auch ein Verzeichnis sämtlicher 'Lesespuren' Nietzsches (ca. 20.000), z.B. Anmerkungen, Unterstreichungen und Eselsohren. Ergänzt durch zahlreiche Faksimile-Reproduktionen sowie durch philosophische, historische und bibliographische Einführungen, stellt der Band ein unverzichtbares Arbeitsinstrument jeder zukünftigen Nietzsche-Forschung dar. (shrink)

Both macaque monkeys and humans have been shown to have what are called ‘mirror neurons’, a class of neurons that respond to goal-related motor-actions, both when these actions are performed by the subject and when they are performed by another individual observed by the subject. Gallese and Goldman (1998) contend that mirror neurons may be seen as ‘a part of, or a precursor to, a more general mind- reading ability’, and that of the two competing theories of mind-reading, mirror neurons (...) lend support to simulation theory. I here offer four reasons why I think mirror neurons do not provide support for simulation theory over its contender, theory theory. (shrink)

One of the most ancient art forms, poetry, like other art forms, finds its roots embedded in activities that are not necessarily associated with art today, most notably religious rituals. Still, even while poetry is now commonly enjoyed for its own sake, many poems continue to be made for specific life events: weddings, funerals, presidential swearing-in ceremonies, anniversaries, and so on. Their connection to such events may call into question the art status of some poems; indeed, definitions of poetry (as (...) is the case with definitions of art in general) must provide an account that establishes the art status of poems while still acknowledging that some poems may be parasitic upon human activities and events that have no intrinsically artistic goals. Questions of this sort already presuppose a notion of art that divorces art works from those activities and events and establishes art-making as an endeavor in its own right, one that by definition is independent from any other goals and one that, were it to be mixed with other activities or goals, would have its art status threatened. However, just as a notion of art that denied art status to (say) the Vietnam Memorial in Washington, DC in virtue of its serving a function beyond the purely artistic would be seriously defective, so a definition of poetry that denied poetry status to W. H. Auden’s ‘Funeral Blues’ would be anemic at best. The intention to write a poem, therefore, is the intention to fit one’s work into a tradition, one in which, as happens to be the case, poems are written for various occasions. Likewise, the poetic tradition is one in which various formal means have been employed (alliteration, meter, rhyme schemes, etc.); a ‘transparent’ poetic intention (i.e. one in which the poet is aware of the character of her intention) would therefore involve responding to the formal dimension of the tradition in various ways (see Ribeiro 2007). (shrink)

The cinematic technique of point-of-view shots is meant to give spectators a film character’s point-ofview. In ‘Imagining from the Inside’, Murray Smith claims that point-of-view shots allow viewers to ‘imagine seeing as the character does’ and this imagining in turn promotes imagining the character ‘from the inside’, thereby fostering empathy with the character. I argue, against Smith, that the cinematic technique of point-of-view shots does not prompt viewers to ‘imagine seeing as the character does’ for two reasons: first, such shots (...) do not give us a character’s perspective in any literal sense, but what I call a ‘symbolic perspective’; second, the very concept of ‘imagining seeing’ is problematic in that it places us on the same ontological level as that of fictional characters. I agree with Smith that point-of-view shots promote a qualitatively different emotional engagement in spectators and that they are powerful prompts to ‘imagining from the inside’, while I show that he conflates this Waltonian notion with Currie’s ‘personal imagining’ and with the idea of empathizing with a character. (shrink)

Why should poets choose to repeat concrete sounds or abstract structures when conveying their poetic messages? After all, it would seem that repetition tends to slow down comprehension and require greater cognitive effort. The key to understanding the rationale behind these poetic devices is the communicative principle of relevance proposed by Sperber and Wilson: interlocutors communicate on the assumption that what is being said is relevant in the communicative context. But how things are said is also relevant: poets create patterns (...) for pragmatic, communicative reasons. Poetic devices also promote affective states, which cannot be reduced to cognitive ones. (shrink)

I argue that we are subject to ‘aesthetic luck’ in four senses: constitutive, upbringing, sociogeographic, and circumstantial. I review evidence from our practices, philosophy, and science. I then consider what challenges aesthetic luck raises to the communicability of aesthetic judgments, the formation of one’s aesthetic character, and the goal of a life well lived, as well as possible answers to those challenges.

I argue that Before Sunrise, Before Sunset, and Before Midnight are best seen as an example of memento mori art. Memento mori, the admonition to remember death, can take many forms, but the idea remains the same, namely that an awareness of our inevitable end should bear on how we live. I show how Richard Linklater’s warning works in each of the movies and argue that with the Before trilogy he makes a Frankfurt-style case that romantic love is life’s summum (...) bonum--i.e. "the ultimate ground of practical rationality.". (shrink)

The Bloomsbury Companion to Aesthetics presents a practical study guide to emerging topics and art forms in aesthetics and the philosophy of art. Placing contemporary discussion in its historical context, this companion begins with an introduction to the history of aesthetics. Surveying the central topics, terms and figures and noting the changes in the roles the arts played over the centuries, it also tackles methodological issues asking what the proper object of study in aesthetics is, and how we should go (...) about studying it. Written by leading analytic philosophers in the field, chapters on Core Issues and Art Forms cover four major topics; - the definition of art and the ontology of art work - aesthetic experience, aesthetic properties, and aesthetic and artistic value - specific art forms including music, dance, theatre, the visual arts as a whole, and the various forms of popular art - new areas in aesthetics and the philosophy of art, such as environmental aesthetics and global standpoint aesthetics, as well as other new directions the field is taking towards everyday aesthetics Featuring a list of research resources and an extensive chronology of works in aesthetics and the philosophy of art dating from the fifth century BC to the 21st century, The Bloomsbury Companion to Aesthetics provides an engaging introduction to contemporary aesthetics. (shrink)

Centred on the diaries of Violet Thompson and Betty Whitla-Lucas, this exploratory paper self-reflexively plots key feminist problematics of integrating the personal with scholarship, while also enacting and working them through. By addressing my own familial connection to the archive, I explore the experience of using personal material within scholarship. Considering the increased incorporation of personal narrative into feminist scholarship, I question what is at stake in the production and reception of women’s life-writing. I propose a model of motivation and (...) desire for the process of reading and writing of women’s life-narratives, probing the relationship of desire that exists between women. Returning to the archive, Violet’s and Betty’s records of pregnancy are read as sites of power relations, examining the existence of inter-discursive networks of empowerment that disrupt the dominant cultural precepts on female sexuality. In closing, I reflect upon the interplay of private fantasy with public history and imagine the potential for the disparate forms of women’s life-writing, not only as feminist interventions in the cultural field but as contributions to discussions on the nature of feminine inscriptions. (shrink)

E. S. de Beer's eight-volume edition of the correspondence of John Locke is a classic of modern scholarship. The intellectual range of the correspondence is universal, covering philosophy, theology, medicine, history, geography, economics, law, politics, travel and botany. This first volume covers the years 1650 to 1679. 'When the eight volumes of correspondence have appeared they will be recognized as one of the great scholarly achievements of their day.' K. H. D. Haley, Times Literary Supplement.

E. S. de Beer's eight-volume edition of the correspondence of John Locke is a classic of modern scholarship. The intellectual range of the correspondence is universal, covering philosophy, theology, medicine, history, geography, economics, law, politics, travel and botany. This first volume covers the years 1650 to 1679. 'When the eight volumes of correspondence have appeared they will be recognized as one of the great scholarly achievements of their day.' K. H. D. Haley, Times Literary Supplement.

The idea that fiction may be distinguished from non-fiction on the basis of the notion of make-believe has been the dominant view in aesthetics since Kendall Walton published Mimesis as Make-Believe. With Fiction and Narrative, Derek Matravers aims to debunk make-believe, and replaces the fiction/non-fiction distinction with the distinction between representations and ‘confrontations’. Matravers argues that there are several levels to our engagement with fiction. At the ‘ground level’, so to speak, we have plain understanding of the words and sentences (...) in a narrative, be it fictional or not. At the next level, we engage with that narrative by constructing ‘mental models’ based on that fundamental understanding. Neither of these calls for the imagination. Imagination... © The Author 2016. Published by Oxford University Press on behalf of The Scots Philosophical Association and the University of St Andrews. All rights reserved. For permissions, please e-mail: [email protected]. (shrink)

The account of the hero is often depicted as a narratological journey which, with reference to the ground-breaking work of Campbell, is referred to as the monomyth. The basic outline of all monomyths is an account of how a hero embarks on a journey, meets a major crisis and then returns back home altered in some way. This change does not only benefit the hero but is also to the advantage of the community that he or she hails from. This (...) study examines the possibility that the story of Esther fits the prerequisites of a monomyth and argues that the additions to LXX-Esther give emphasis to and reinforce the impression of the hero-myth underlying the story. The therapeutic and transforming qualities of the hero story, narrated in LXX-Esther, are examined in more detail. It is concluded that this hero story fulfils two basic human functions: an epistemic function and a restorative function.Contribution: This article contributes to HTS Teologiese Studies/Theological Studies’s’ contested Historical Thought and Source Interpretation by focusing on textual and hermeneutical studies, and narratives behind the Abrahamic religion as expressed in the Hebrew Scriptures, Apocrypha, Pseudepigrapha and the Septuagint. (shrink)

E. S. de Beer>'s eight-volume edition of the correspondence of John Locke is a classic of modern scholarship. The intellectual range of the correspondence is universal, covering philosophy, theology, medicine, history, geography, economics, law, politics, travel and botany. This first volume covers the years 1650 to 1679.

Ivan Petrella argues that the goals of liberation theology can sometimes be better served by doing it undercover. This article reflects on responses to homelessness during Covid-19 in the City of Tshwane, describing and reflecting upon it from the perspective of a researcher-theologian as well as activist-urbanist. It employed two lenses in its reflection: Petrella’s notion of the ‘undercover liberation theologian’, as well as what is known as deliberative public administration theory, as possibly complementary approaches. It traces ways in which (...) people of faith/theologians participated in the City of Tshwane through means other than explicit theological discourse. It implies that such engagement was not less theological but perhaps more strategic, describing that task of the undercover liberation theologian as that of making space, making plans, making known and making change. Ultimately, it calls for a subversion of suspect models of theological education, suggesting that it is in losing ourselves in the messiness of public processes and multiple solidarities with the poor, that the unfree might experience freedom, and liberation theological goals might find concrete expression.Contribution: This article reflects on responses in the City of Tshwane to street homelessness during Covid-19. It unpacks the notion and role of the ‘undercover’ liberation theologian in local political processes, and how losing ourselves in public processes and multiple solidarities with the urban poor, might help gain freedom for the unfree. (shrink)

In this article the cosmological and metaphysical dimensions of the Logos concept in the Hellenic and Patristic traditions are explored. Heraclitus initially depicted the logos as the ontological link between the One and the many, with the logos thus serving as the foundation of both rational discourse and natural law. This concept was elaborated and modified by a number of eminent Hellenic and Christian thinkers. Among them count Plato, Philo of Alexandria, the New Testament authors John and Paul, Plotinus, Athenagoras, (...) Justin Martyr, Clement of Alexandria, Augustine of Hippo, Dionysius the Areopagite, Maximus the Confessor and John Scottus Eriugena. (shrink)

Jesus' option for the poor should be reclaimed in a clear theological and ecclesial option for the dumping sites of our cities and towns. That is the basic proposal of this article. Reflecting upon three different dumping sites - different in size, age and history - this article will explore the central thread of material and human waste, often dealt with almost as synonymous, concentrated and overlapping in these marginal spaces. It will additionally explore the theological and ecclesial challenges, but (...) also possible opportunities, visions and gifts presented by them. The paradoxical interconnectedness between waste management and sanitised cities will be considered, as well as its relation to mediating or denying human dignity. The stories of Smokey Mountain in Manila, the Zabbaleen community in Mokattam Village, Cairo, and the Hulene Dump in Maputo, will be presented as part of this reflection. They will be read as mirrors to the proliferation of similar dumping sites on the fringes of South African cities. An outline is offered for a theological-ecclesial praxis emerging from the dumping sites, as well as a retrieval of possible contributions from these sites to the broader urban public theological reflection. (shrink)

This chapter introduces the Special Issue and offers an overview of the corpus of work on the topic since the publication of Michael Walzer’s seminal article, ‘Political Action: The Problem of Dirty Hands’.

This article explores the relation between the government and the media in post-apartheid South Africa. An overview is given of key developments and tensions between the government and the media in the first 10 years of democracy and the ethical frameworks underlying the respective positions. An overview of the debate between the so-called "national interest" and the "public interest" is given, and linked to normative ethical frameworks of libertarianism vis-a-vis communitarianism. A mean between the 2 is suggested in the form (...) of mutualism, whereas the necessity for conceptual clarification in debating the relation between the government and the media is emphasized. (shrink)